A relaxing garden has both restful places for your eyes and focal points to enjoy. Green is restful, but it can get monotonous if it’s all identical, as in a yard with a well-kept lawn, but nothing else. Texture is a good way to add interest without losing the restfulness of green. Massing, an application of the design principles of repetition and proximity, is a great way to develop texture that is sufficiently interesting to lead your eyes to an interesting larger plant or something in bloom. Continue reading “Texture in the Summer Garden”
Somehow, it’s August. Not only that, l spent last week, one of two between-semester weeks off, cooking, paying bills, catching up with my accountant, weeding, mowing, rearranging a few plants, and having meetings with mixed success. I did get a few things done towards a drawing that is, so far, a year in the making.
I knew that my garden was fraying, but it really didn’t sink in fully until I realized that I had completely forgotten about an empty spot right by the back door that I
would have to deal should have dealt with in the spring—of 2020. Last week I realized that spot had taken care of itself. It’s not subtle in bloom.
What a gorgeous time of year. My eyes have been craving the bright, grassy, green of May in everything from lawn to ferns to rose foliage and new fig leaves. Here are some of my favorites.
The ostrich ferns are more or less full size, and a beautiful shade of green. Some of them have moved into the small gap between the top of the driveway and the big planter that sits there, making it easy to look down into them. Now that they are fully unfurled, the leaves make beautiful patterns.
The rue anemone have lost or hidden all their red pigment—the flowers are now white and the leaves are bright green. Rue anemone spreads happily and shares space well, especially with eastern columbines, which have similar-looking foliage. The occasional pop of red is pleasant. Continue reading “The Green of May”